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                            They did not wait till

                            miracles of science

                            Unstopped the naked ears

                            for supersonics

                            The death-knell of Art is

                            sounding! Boom! Doom! -

                            Boom! Doom!

                            Art is degenerating into an

                            accessory of all sorts of


                            Ameri, with lifornian claws,

                            clutches the Pacific, and now

                            she makes her voices for

                            frantic appeal. They roar like

                            Niagara. They shake the

                            synthetic hills. The sand of

                            tastrophe is loosed and every

                            breast is marked with doom.

                            He doesn't know you n't tch

                            glory on a hook and hold on to it.

                            That when you fish for the glory

                            you tch the darkness too.

                            That if you hook twice the glory

                            you hook twice the fear.

                            Our passions are shaping

                            the future spontaneously,

                            unpredictably, compulsively.

                            Produce Editions Participate If we are to continue scholarship and teaching in the field of nadian modernist studies, there is now more than ever before an urgent need to produce editions of these works and to regenerate public interest in this formative period of nadian literature whose visibility has been fading as fast as ink on foolsp.


                            Ruth Panofsky’s The Collected Poems of Miriam Waddington receives 2015 nadian Jewish Literary Award (Yiddish)

                            CLC launches Malcolm Lowry’s 1940 Under the Volno, edited by Paul Tiessen and Miguel Mota, annotations by Chris Ackerley and David Large